On Alien Biology and ‘Hard Sci-Fi’

Monster by Piolinfax

Monster credit Piolinfax – Image on Wikimedia Commons

I’m building a new species of monster. That means I’m making up stuff again. The squishy sort of stuff, things an autopsy, a scanning electron microscope, centrifuges, and spectrometers might be involved with if these monsters were real-world organisms.

Building a monster requires some science. It’s best done if you’ve studied a soupçon of biology, a bit of chemistry, maybe even engineering if you’re fabricating a serious danger to your protagonists — say something that can survive in the dark vacuum of space, slice your arm off and eat it, break down a door with ease, is absolutely paranoid about its own survival and looks really ugly to us wee humans.

The alien race I’m designing is called the Sigotha:

The Sigotha as adults are about six feet long, and can rear up to twice that height. They resemble a cross between a lobster and a scorpion, and actually have both an internal and external skeleton. These apex predators are armed with a retractable scimitar blade on each leg, claw-hands on the front legs, a stinger tail, and four mandibles that are capable of slicing through metal conduit. A blow from one of their legs or the tail can send a man flying down a corridor. Their limbs can be coordinated in an attack that would reduce a cow into steaks and choice cuts within moments. They have two sets of eyes on the head, one set usually retracted, and speak in a series of clicks from their claw-hands, which also have prehensile appendages for manipulating tools. There is a tympanum or drum mouth on their upper thorax which they use to mimic sounds. Hearing, vision, sense of smell all surpass humans. The Sigotha are faster on ‘foot,’ amazingly agile, and have somewhat quicker reflexes than human beings. Their exoskeletons resemble metal armor, although the carbon-silicate material is much lighter and more difficult to penetrate than any material we use as armor today.

Yet again the humans have expanded out into the galaxy and encountered another sapient apex predator.  There are lots of fascinating and horrible creatures in science fiction. Some are filled out only enough for a plot line, others are built into waking nightmares.

There are many creatures out there, but this one is my own (hugs his Sigotha, which emits a sibilant series of buzzes and tries to reach his head with a rapidly-clicking lobster-like claw). We’re going to have so much fun together!

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Welcome to Often Inspired!

Thrilling Detective 1935

“If the public likes you, you’re good.” — Mickey Spillane

 

Our signature motto is “Be true to your reader and the rest will follow.”

 

Have faith in your reader, but earn their trust first. Write something they would enjoy.

We hope you have a lot of fun here. Read. Critique. Create. Make friends.

— William V. Burns

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Blood and Guts and Brains

U.S. Soldiers in Iraq

Photo: https://www.militarynewsnetwork.com/military-news/news1101.htm

Writing about those who stand in defense of their country is a challenge. If you’re close to your subject, if you’ve lived it, then you may have trouble stepping back to gain perspective. If you have never served, then you have to gain currency with terminology, basic tactical concepts, and may never capture the gut feelings of combat or even being a member of the service.

History can lend a hand. There is much source material. Possibly more has been written about war than any other human activity. I would guess from the books I’ve read that the leaders in war were favored first, and only during the last two hundred years have the front line soldiers’ stories gained prominence.

Soldiers serving under the command of General George S. Patton, nicknamed “Old Blood and Guts,” used to quip, “our blood, his guts”. Combat requires both, and a successful commander must also have the brains to see the battle in the context of history, to build a bold plan, and know when to hold to it or abandon it in the fog of war.

If you write about war, you will have to possess all three of these qualities.

Life in the military has been characterized as long periods of waiting patiently, punctuated by moments of heart-pounding action. A writer’s lot is not near as hazardous, but does involve working steadily, training yourself to know your genre and your craft, and then that moment of decisive action when you present a manuscript or a pitch for a book to an editor or agent.

It all comes down to that opportunity, maybe the only one you will get for your work to succeed.

Are you ready? Have you prepared, drilled, practiced? Has someone competent in the field checked your work? Are you using the right tools, tactics, strategies?

Will you pass inspection, will you reach your objective? Will you win?

–William V. Burns

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